Ángela Peralta: Google Doodle on Mexican Opera Soprano, Composer’s 175th Birthday

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Happy birthday, Ángela Peralta!

Today’s Doodle celebrates the 175th birthday of internationally renowned opera pianist, harpist, composer and soprano Ángela Peralta, who is widely regarded as one of the most important Mexican opera singers of her time.

Mexican soprano and opera composer Ángela Peralta (baptized María de los Ángeles Manuela Tranquilina Cirila Efrena Peralta Castera) was born on July 6, 1845. She was the daughter of Manuel Peralta and Josefa Castera de Peralta.

Ángela Peralta showed an early talent for singing and music. At the age of 8, she sang with great success a cavatina by Belisario by Gaetano Donizetti and continued her studies at the Conservatorio Nacional de Música in Mexico.

At age 15, Peralta made her opera debut at the Gran Teatro Nacional, one of the greatest Mexican opera houses of the 19th century. This performance was so successful that it prompted Peralta to further refine his talent in Italy, the birthplace of opera.

In Milan, Peralta’s 1862 performance of the romantic opera “Lucia di Lammermoor” so impressed audiences that standing ovations brought her back on stage 23 times! She sang Bellini’s La sonnambula in front of King Victor Emmanuel II of Italy at the Teatro Regio in Turin where she received 32 rappels.

Between 1863 and 1864, she sang in opera houses in Rome, Florence, Bologna, Genoa, Naples, Lisbon, Madrid, Barcelona, ​​Saint Petersburg, Alexandria and Cairo.

The Second Mexican Empire invited her to return to her country to sing at the Imperial National Theater and, in 1865, she accepted the invitation. In 1866, she sang in front of Maximilian I of Mexico and Charlotte of Belgium and was named “Chamber singer of the Empire”.

The scope of his international tours broadened to include some of the most prestigious opera houses in Europe as well as the United States, winning the title of “Mexican nightingale” for his mastery of the lyrical lyrical style known as the bel canto name.

Peralta returned to Mexico City in 1871, a homecoming heralded by another major performance at the Gran Teatro Nacional.

Soon after, Peralta used this successful momentum to found his own opera company. On their last tour in 1883, Peralta’s troupe visited the Mexican coastal town of Mazatlán. Here, her heritage is preserved in an opera house named in her honor: the Ángela Peralta Theater.

Happy birthday, ngela Peralta!

Today’s Doodle celebrates the 175th birthday of internationally renowned opera pianist, harpist, composer and soprano Ángela Peralta, who is widely regarded as one of the most important Mexican opera singers of her time.

Mexican soprano and opera composer Ángela Peralta (baptized María de los Ángeles Manuela Tranquilina Cirila Efrena Peralta Castera) was born on July 6, 1845. She was the daughter of Manuel Peralta and Josefa Castera de Peralta.

Ángela Peralta showed an early talent for singing and music. At the age of 8, she sang with great success a cavatina by Belisario by Gaetano Donizetti and continued her studies at the Conservatorio Nacional de Música in Mexico.

At age 15, Peralta made her opera debut at the Gran Teatro Nacional, one of the largest opera houses in 19th century Mexico. This performance was so successful that it prompted Peralta to further refine his talent in Italy, the birthplace of opera.

In Milan, Peralta’s 1862 performance of the romantic opera “Lucia di Lammermoor” so impressed audiences that standing ovations brought her back on stage 23 times! She sang Bellini’s La sonnambula in front of King Victor Emmanuel II of Italy at the Teatro Regio in Turin where she received 32 rappels.

Between 1863 and 1864, she sang in opera houses in Rome, Florence, Bologna, Genoa, Naples, Lisbon, Madrid, Barcelona, ​​Saint Petersburg, Alexandria and Cairo.

The Second Mexican Empire invited her to return to her country to sing at the Imperial National Theater and, in 1865, she accepted the invitation. In 1866, she sang in front of Maximilian I of Mexico and Charlotte of Belgium and was named “Chamber singer of the Empire”.

The scope of his international tours broadened to include some of the most prestigious operas in Europe as well as the United States, winning the title of “Mexican nightingale” for his mastery of the lyrical lyrical style known as the bel canto.

Peralta returned to Mexico City in 1871, a homecoming heralded by another major performance at the Gran Teatro Nacional.

Soon after, Peralta took advantage of this successful momentum to found his own opera company. On their last tour in 1883, Peralta’s troupe visited the Mexican coastal town of Mazatlán. Here, his heritage is preserved in an opera house named in his honor: the Ángela Peralta Theater.

Read also: Shusaku Arakawa: Google pays tribute to the Japanese conceptual artist and architect on the occasion of his 85th birthday

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